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Introduction:
These
pages are my opinions and thoughts on a wide ranging set of
topics mostly related to photography. To me, photography is an
art-form, craft, creative outlet and business. My mind is
constantly engineering solutions to various problems whether real
or contrived, and like a comedian, able to find links between
seemingly disparate subjects. As time allows, I'll write about
these.
Technology is a dangerous thing. Especially to a
photographer. I'm usually more interested in technique than
technology. All of the technology in the world will not help you,
the photographer, if you can't figure out which is the pointy end
of the camera. But that doesn't mean I'm opposed to new
technologies--far from it. I have a background in product
development, product management and marketing in high-tech
industries. I'm apposed to technology that doesn't actually
improve things but is designed to appeal to our "gotta-have-it"
senses for no real productive reason. As an artist and craftsman,
I prefer tools that fit me. Some of my tools would be considered
"retro" but I use them for specific purposes.
I
had finally given in to the digital age and purchased a Minolta
A1. I benchmarked this camera and am showing the results of those
tests in links below. This camera, along with it's newer sibling,
the A2, are revolutionary products not necessarily in imaging
quality, since many other digital cameras exhibit far superior
traits, but in usability and configurability. You may be
interested in why I selected a "prosumer" camera
instead of a regular DSLR. The answer to this is in the page
"Compromise is Good, The Minolta A1"
My kit now
includes an Olympus E-1 and the 14-54mm zoom lens. This is a most
excellent camera and I use it as my primary camera for
portraiture, wedding and event photography. The Minolta A1
remains my primary camera for industrial photography as the live
preview, articulating finder and increased depth of field greatly
improve the shooting experience and I'm able to take pictures in
extremely tight environments like telephone equipment rooms. Both
cameras take similar pictures and I've been able to match image
color between the two systems.
My primary gear for the
past 18 years has been the Olympus OM system. This equipment has
been a fine balance of features, quality and ergonomics. Today,
this equipment is pretty much viewed as old technology and out of
the mainstream, but still performs well and produces excellent
images. Many of my OM lenses find new uses on my Olympus E-1
where they are more than adequate for much of my work. I also
shoot large-format with a 1964 Crown Graphic.
Opinions.
That's what I'm writing here. If you happen to disagree with some
of my assessments, that's perfectly OK, and I'd love to hear from
you. I'm a reasonable person and perfectly willing to accept that
I might be in error on something. In fact, I welcome your
feedback. -Ken
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